Sunday, July 15, 2012

LOOKING UP AND LOOKING DOWN

Dearest Readers,

The leitmotif this week is what I saw below my head, or what I found above it.

LOOKING UP
The Dunn Building, Wales Street, Rutland VT 7.13.2012
 This is the Dunn Building in downtown Rutland. Cousins on my mother’s side built this structure for the Dunn Bowling Alley in the first half of the last century. It now houses the Salvation Army. My maternal grandmother’s maiden name was Dunn as was my mother’s middle name. I hadn’t planned on it, but events occurred this summer that have encouraged some genealogical research, and visits to a couple cemeteries to discover my Irish ancestors. The Dunn and Fagan families arrived in the area after the Irish Potato Famine in the mid 1800's. They started small farms, fought in the Civil War, and worked on the Rutland Railroad while others moved to Buffalo, towns in upstate New York, and Troy to find jobs.
–more on that in a later post.

Center Street, Rutland VT 7.10.2012
 Sky in Vermont has a life force that swings from serenity to anger and back again as the prevailing westerly winds encounter Canadian cold or North Atlantic fronts. Sky is riled and roiled by wind and rains, or pacified by blissful days of dry clear blue, fluffed with curls of cumulus. Nightime affords an array of stars and planets in a blanket of dense quiet.

LOOKING DOWN

Compliant
 I’ve soothed myself by beginning to quilt my 89 vintage printed portrait hankies one at a time, rather than together on a bedspread. This is the view of the first one looking down at my knees sitting on a bench in Main Street Park. An 80 something woman named Esther told me she always walks through the park, but this was the first time she ever saw anyone doing “fancywork” as she called my needlework. It started a nice conversation. She lives in an apartment home formerly known as "Shadowlawn" that my parents rented a room in during the summers in the 1950s.

Academy of St. Aloysius uniform from memory

 At home in my studio I pinned a replica of my Catholic Grammar School uniform to quilting fabric and batting that I had spread on the floor. More to come on these projects.

I leave you, readers with the view on the ground beneath my feet. I’m compiling a botanical gallery of plants that I remember from my Vermont childhood.

This week’s poem at the bottom is entitled Sky. The weekly portrait is #15-Relieved.

Lush Ferns and low three-leaved ground cover



Bachelor Buttons


Black Eyed Susans

Small Brambly Roses (my name)

Brushy Wild Daisies (my name)

Catalpa Tree with seedpods in Main St. Park (flowers have passed)

Orange Choke Cherry Bush (childhood name)

Red Choke Cherry Bush (childhood name)

Dried "Coffee" Plant (childhood name)

Geranium and Petunias in window box

Popular climbing porch vine (name unknown)

Milkweed

Phlox

Pompoms (childhood name for Hydrangea)

Bluebells (childhood name)

Queen Anne's Lace

Roadside variant of Bachelor Buttons

Abundant roadside yarrow-like flower

Yankee Clover (VT State Flower AKA Red Clover)

The three-leaved ground cover in flower

Tiger Lilies

Wildflower pond near the Rutland Hospital on Upper Allen Street 
Self-Portrait-Relieved
 
SKY

Sky is an internal organ–
Hiding behind the mask
Of weather’s flourish and display.

Sky is a slip-slider
Of intestinal outpourings
And rootless indecision.

Sky, like skin is a membrane
That belies the warren worlds of gastric
Global dimensions beyond the surfaces of
Flat white heat or stunning cold.

Sky breathes out dew and damp,
fire and vapor, snow and smog.
Noisy grumblings leak through her screen
From hollow tunnels, and Hubbellian holes
Expelling atmospheric juices
From ages and ages ago.

Sky burps out puffy plops of gaseous nimbus,
Thunderheads, mackerel, anvil
And accumulating cumulus–
Traces of a bilious otherworld
Of tangled tubular turbulence
Coiled at her celestial core.

-Sunday 7.8.2012

Sunday, July 8, 2012

MOSTLY WALKING AND PAINTING


Dearest Readers,
I’ve been walking and painting this week.I stopped by to chat with the current owner of our old family homestead in town. Meet Nancy Jeski next to some of my grandmother's few remaining old hollyhocks. It’s a stalky, leggy flower from another era...perhaps Victorian times.

Etta went to school at 4 PAWS ACADEMY  for one class to curb her separation anxiety. It was really a class for me to understand dog “pack mentality”, their den hierarchy around food, vertical and horizontal space. Retraining her will take some determination.
Nathan and student Etta James

On the 4th I made a big loop around town hoofing it as the morning misty air lifted. It felt like the beginning of time.

Mist Rising from the Green Mountains

I passed Moon's Brook, gurgling through the lush greenery, 
Moon's Brook from Killington Avenue

crossed the old Rutland Railroad tracks, 

RR tracks from Allen Street

and strode up Gouger Hill past the open door of Christ the King Church.

Christ the King Church from the vestibule doorway

 I ended the day at my neighbor’s house for a cookout on his porch with other neighbors. His kids squealed with sparklers in hand, and tossed little cap-like fireworks that made a snapping sound when they hit the ground. A downpour at 9:45pm probably put a damper on the fireworks display slated to begin at the RutlandFairgrounds right after the Demolition Derby. Hopefully it went on later. Vermont was spared the 100+ heat wave that hovered over the southern and middle parts of the US. With only one box fan in my apartment/studio, I’m grateful that we dodged that bullet.

 *I revised my Untitled Wings#2 painting, swirling the skulls and hearts in the force field of the surging wings. I think this is closer to what I wanted to convey in the piece.

BEFORE
AFTER
    *Completed a new self-portrait entitled Day #14-Sleepy
Day 14 Sleepy,
8-1/2" X 11"charcoal and pastel on paper


*More drawings from the weekly open model studio session at the gallery near my place
*And I completed a proposal sketch for Sculpfest at The Carving Studio in West Rutland Vermont, a sculpture studio on the grounds of four old Vt. Marble quarries. I'd use marble scraps scattered on the grounds and branches from the trees and brush growing near the abandoned quarries.This may be too ambitious for the short amount of time I am in Vermont this summer, but I like the drawing, and thinking about it has given me better ideas for the performance hole dig that I’ve decided to do in Atlanta this winter. Last year I cancelled that plan, but now with this modified, smaller set of two nesting holes, and the addition of a homemade ladder with lashed branch extensions, I’m feeling a greater comfort in doing the project without the danger of a cave-in.
Untitled Hole Project
 The poem of the week commemorates an unseen creature’s life/death struggle Friday night outside my bedroom window.
OUTSIDE MY OPEN WINDOW
A life battle squeals and reels,
Bites hard on a bone,
Sends up a shrill stabbity stab.
Through the thick of summer
Something rolls in the grass
Rises and tumbles.
Yee yow flapp flapp flub.
Yeeoowee bllllrrrr EEEEEEE.
A primal force ebbs, surges,
Fights back until
Only silence and the warm velvet
Curtain of night
Smother the memory of its brave little heart.
-Friday 7.6.2012

Sunday, July 1, 2012

SLEEPING WITH THE ARTWORK

 

Dearest Readers,

I moved my bed into the Center Street studio in a brilliant stroke of common sense. Why separate myself each night from the stuff I’m working on, when lying among the artworks fosters dreams and creative inspiration? It’s like a giant projected TV screen on the wall just beyond my toes. In a twist of logic, I can imagine myself stepping into these painted worlds that came from inside myself. As they say, I’m loving it.

Two new paintings on paper this week: The Threshold and Untitled Threshold #2

The Threshold-35"x 39"-Acrylic on kraft paper


Untitled Threshold#2-35"x 39"-Acrylic and oil stick on kraft paper

And a new self-portrait entitled Day #13-Enlightened

Day 13-Enlightened-11"X17"-India Ink and pastel on colored paper

Friend and artist Michael Beale and I spent a day at Mass MOCA in North Adams, Mass...an hour and a half drive south of Rutland VT, just over the border. What a treat!

This repurposed 19th century mill has 26 buildings on site creating an interlocking landscape of courtyards, bridges and passageways, plus some giant spaces inside that invite installation artists to think BIG. Three group shows and one multi-room installation on view are outstanding. I include a favorite image from each. (Hard to choose!)

 Oh, Canada, a sweeping selection of contemporary Canadian artists working in a range of new and traditional media.
Sand-Light-and-Slo-Mo-Water-Bottle-Windmills, Oh, Canada at Mass Moca

  Invisible Cities, bringing together 10 artists “who re-imagine urban landscapes, both real and fantastical”. The title comes from Italo Cavali’s 1972 book that expands upon Marco Polo’s vivid descriptions of the cities of Kublai Khan’s fading empire.
Compound, by Sopheap Pich, rattan, in Invisible Cities, Mass-Moca   

Making Room, The Space Between Two and Three Dimensions, a wonderful show by a selection of national and international artists working in hybrid art that combines new technology with traditional or outmoded analog media.

Harem, by Inci Eviner, video projection on etching_Making Room at Mass Moca

Sanford Biggers' Installation The Cartographer’s Conundrum 


takes its inspiration from the Afro-Futurist painting The Quilting Party by the muralist John Biggers (1924-2001), who may or may not be a relative. The space is huge. Biggers uses musical instruments, church pews, mirrors, plexi, large screen video projections, floor art and a re-purposed pre-Civil War quilt that he beautifully makes his own.


 This week I visited Ginger Birdsey’s home and studio in Ripton again for a lunch by her pond,

and a look at her new wood houses and ladders for the Middlebury Art Fair in mid-July.
Ginger Birdsey in studio with Houses and Ladders in progress
Ginger Birdsey with painted houses
We drove together to Burlington for the opening of Five artworks by five former assistants to the renowned Vermont printmaker Sabra Field at the Frog Hollow exhibition space downtown. One of the “5”, is the Atlanta printmaker, clay artist and friend, Marie Weaver–nice to see her new clay work, framed prints and book art.
Marie Weaver on right and Ginger Birdsey on left with Marie's books and framed woodcuts_Frog Hollow, Burlington VT 6.28.2012
 I leave you with a poem written this week early in the day.

WALKING OUTSIDE IN THE EARLY MORNING

A memory lures me outdoors
Anticipating something on the rim of remembering.
The smell of keen edged loam
Opens a forgotten channel
That tickles an itch long covered
By neglected thoughts of home.

Released from the logic of sunny days
The skin of sky unloads a sudden cleansing downpour,
Exposing my bundled nest of dirt and dreams.
I stand on the stoop in my quiet pajamas
Inhaling this pungent snarl of life and decay.

-Friday 6.29.2012