Before the fix |
Dearest
Readers,
Last
time I blogged and whined about the intensity of its eye motifs, and the
cheezy-ness of that dripping tear. All gone. No more worries. I quite simply,
(timidly at first) toned down two of the eyes as a test.
One of the eyes after the fix |
Another eye after the fix |
I covered them with
white paint to match the background, and quickly ragged it off. Then I brushed
some back on, then off, then a lesser amount on, then I walked away, out of the
studio. I kept returning during the evening taking sneak peaks. A few days
later I shared these baby steps with my stalwart "Art Crit Group"
from Atlanta via FaceTime on my iPhone. "Keep going," they said,
"pick a few more to soften here and there".
I
waited a few days, then last Saturday morning in bed a realization welled up
that a gradual muting of the eyes in the lower half of the piece made sense
with the arrival of Grace from the upper half. I plunged ahead, dabbing and
erasing, covering and partially revealing. It worked! I even brightened the elements in the upper half.
Final painting after the big fix |
The eyes now rest easy
within the picture plane.
I even painted
over that pesky teardrop that spoke of sadness with a cudgel. I took a full
view photo, and several details. Funny, the closeup of the central melancholy
eye revealed a hint of the underlying tear. It was still visible beneath the
new dabs of acrylic!
This time I had no doubts. The tear must go in favor of a
subtler image. I am at last content. My hope for you, dear viewer, is that you can
experience this painting now in any way you like.
Revised brighter detail |
As always you have interesting and intriguing pursuits, Cecelia. I happened upon your blog again this morning - I guess I am no longer on your list. Wishing you well and continued life and love! m
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